As we all try to finally decide the officially best and worst Super Bowl ads of 2012, there’s one clear winner – and it’s Facebook.

Top commercials are now sending us straight to the company’s Facebook Page, rather than their website – for a chance at a Like, and a lasting connection with fans.

Commercials like Bud Light: Rescue Dog, General Electric: Building Something, and Pepsi Max: For Life completely replaced the typical website mention with a reference to the company’s Facebook Page.

Bud Light: Rescue Dog


General Electric: Building Something Big


PepsiMax
: For Life

The trend is sure to be good for Facebook, as it prepares for it’s IPO.

By replacing the company’s website with its Facebook Page, these brands send a signal that an action-oriented, long-term bridge between online and off-line marketing channels will continue to be critical for marketing success, both on and off the web.

Of the 90 total Super Bowl ads, calls-to-action included referrals to:

Website: 52 (57%)
None: 21 (23%)
Twitter #Hashtag: 11  (12%)
Facebook Page: 10 (11%)
YouTube Channel: 1 (1%)
Text Message: 1 (1%)

Even if Twitter #hashtags edged out prompts to Facebook Pages, the payoff of a new Facebook Like has much greater long-term value than the one-time (or so) use of a #hashtag. New followers would be the Twitter equivalent of a Facebook Like, and none of the ads @mentioned the brand.

Surprisingly, second to website references, “no call to action” (no reference an online platform) came in only second. Ads that stood on their own without reference to an online platform tended to reflect iconic brands that were working to deeply connect with personal identity.

Chrysler: Halftime in America

Budweiser: Eternal Optimism

20th Century Fox: “Star Wars” The Epic Saga Begins

With the barrage of online campaigns connected to a company’s overall brand strategy, it’s interesting to see Facebook continue to emerge as a front-and-center player in helping businesses connect with customers.

*Thanks to Kira Marchenese for contributing to the idea for this post.  


FORWARD Festival 2012 is back in DC – April 25-29!!

FORWARD_2012_Teezer_Poster_FNL

Early-price $60 festival passes are on sale now – get ‘em before they sell out! Prices go up closer to the festival, so take this super-limited-time offer while you still can.

Check out the demo reel (below) from last year’s festival for a nice preview of what to expect: the best of DC’s electronic creative culture and audio/visual scene.

Subscribe to Forward DC on Facebook for the latest updates and exclusive access to special event info!

Then kick back, relax, and get ready for mind-blowing digital live entertainment in April. The theme of the 5th FORWARD Festival is organic. Now more than ever, we want to get back to our roots, live healthy and embrace that which is raw and pure.

Creatively, FORWARD Festival 2012 will focus on the 5 Chinese elements of the natural world: Fire, water, earth, wood and metal. Musically, the event will feature more on back-to-back DJ nights, more artists with an organic sound, and more installations that reflect the theme.

FORWARD_2012_Logo


Most of our work days are spent blissfully listening to Pandora run its magic on auto-pilot, punctuated with an ecstatic thumbs up or a tragic thumbs down. Here are a few tracks we love this week to add to your mix on Pandora, Last.fm, Spotify, or your cloud music service of choice!


DCTECH Meetup Dec 2011December’s #DCTECH Meetup focused on the role of the web and emerging technology in social commerce – and how businesses are reaching customers in new ways with expanding options for online shopping.

The demos showed how online shopping continues to develop into a highly personalized shopping experience that, when used well, can also help businesses better connect with individual customers on the web.

New sites like ShopsyUmba Box, and UScoop illustrate the spectrum of personalized shopping experiences, from comparison tools to hand-curated product subscriptions and “flash deals”.

Omnea, launched just this week, offers a personalized catalog that you can create for yourself as you browse the web. It’s a perfect way to save and share holiday gift ideas, and get opinions from friends about the stuff you want to buy.

For businesses, companies like Dasdak and Living Social are offering new platforms to more directly connect businesses with new customers.

Dasdak promises to help small businesses leverage technology all from one platform, and says they’ve ”eliminated the need for managers.” Anyone can create a business page on Dasdak for $10/yr., and collect a portion of sales generated through the service. Among the features included are a mobile page version, eCommerce, and deals.

The new Living Social Instant Ordering option allows people to buy flash deals at nearby businesses. The service is designed to let people instantly find great deals nearby, relevant to exactly where  and when we’re there.

No matter what kind of personalization you’re looking for in your online shopping experience, companies are quickly evolving to facilitate eCommerce meets users’ highly contextual needs. With the rapid expansion of mobile commerce, there are amazing new possibilities for businesses to instantly connect with new customers and expand their reach.

Next up:

The #DCTECH Social Media Week edition is Wed, Feb. 15 – during Social Media Week DC.

See you there!

 



Google image
Effective project and client management is a critical part of running our (and any) business. For us, the best way to run the shop on a daily basis is with free tools from Google.

This is what we use to help stay on track:

Gmail imageEmail: All of our email addresses are hooked up through Gmail. From our one, main Gmail account, we send and receive emails as lots of different email addresses. If we’re a subcontractor for your agency of record, those @agency.com emails are coming straight from our Gmail account.

Google Calendar imageCalendar: We manage everything from our daily schedule to our individual client’s web content schedules with Google Calendar. If you’re looking for more consistency with content publishing on your website, blog, and social media profiles, a Google calendar can be a great tool to schedule and track content publishing.

Google Docs imageDocs:  All of our project documentation is created in Google Docs and shared with the client’s Google account. Any time you need to access the materials, it’s all right there. It’s perfect for collaboration, revisions and editing, and easy access to project materials all in one place. Interested in working with us? Our new client survey is even created in Docs!

Google Reader iconAlerts + Reader: All of our client media monitoring is set up with Google Alerts delivered as they happen to Google Reader. As we’re working on campaigns, we keep an eye on all of the news happening around a project, to use it as web content and send PR reports to clients when the work is finished.

Google Analytics imageAnalytics: Possibly the most important tool for measuring the impact of a marketing campaign, Google Analytics offers layers of data that can tell you everything from your users’ screen resolutions to the navigation paths they took to your most popular content. Do you have Google Analytics installed on your website? It’s surprising how many clients – large and small – aren’t regularly relying on Analytics.

When it all adds up, Google is a critical part of our day-to-day operations. Google tools aren’t only free, they’re the easiest to use and access, we’ve found. So ditch your Outlook account, and switch to Google.


The Smithsonian Mobile and Social Media teams invited #DCWEEK participants to the #SImobile meeting last week for a look at how the world’s largest museum collection is adding mobile to the museum experience.

It was fun to get an inside look at what Smithsonian is doing with mobile. Here, we take a look at the challenges faced by Smithsonian in implementing mobile technology, what they’re doing today, and offer a few suggestions to improve their social mobile experience for the future.

Nancy Proctor, Director of Smithsonian Mobile, says the Smithsonian Mobile team’s goal is to “put the Smithsonian in your hands”.

All of the Smithsonian websites, social media profiles, mobile sites, and apps are independently managed by each institution (like the Portrait Gallery, Air & Space Museum, and the National Zoo). Today, there are over 70 separate websites and 300 social media profiles for all of the museums.

So, building a mobile app to combine them all is tough. The challenge is to integrate hundreds of websites, mobile sites, apps, and social media profiles into a cohesive, helpful, and easy to use experience for museum visitors.

Smithsonian Mobile App By Smithsonian Institution

Today, the product of Smithsonian’s mobile work is a series of basic web and mobile apps that combine all of Smithsonian’s mobile content into a single user experience.

The Smithsonian Mobile app, in Beta (for iPhone, other devices soon) and the Smithsonian Mobile site, m.si.edu (built in Drupal), do a great job executing on the basics – which is often hard to do, and the most important part of any digital experience.

The apps combine the information that visitors on the National Mall will want most on their visit to the museums: hours, locations, exhibits, and events (Live Tarantula Feedings at the Natural History Museum were popular on the day of the panel) – and more detailed information for a deeper dive into each museum.

People can also add comments and photos with a log-in through Facebook and Twitter connect, which is cool, but the user experience doesn’t work the way you might want it to, yet. When we tried to use it, the app got stuck at the social connect log-in, and when we tried to add a comment or photo, it wasn’t clear if it would also get posted to Facebook or Twitter (it didn’t).

It would be great to see the Smithsonian create a more seamless social experience that lets visitors more easily interact and contribute through our regular social media habits. Easy ways to share photos, add comments, and check-in to museums – and share them directly on Facebook and Twitter through the app at the same time. With more opportunity now to leverage social APIs, the Smithsonian can create an immersive mobile social experience that allows visitors to easily share their museum experience with friends around the world.

The Smithsonian is in a great place to stay ahead of the curve in integrating mobile and geosocial engagement into the museum experience. Today, the Smithsonian’s mobile experience provides a great solution for what visitors need most. Soon, the move to a more social, mobile web experience will offer a chance for Smithsonian to continue innovating how people engage and share their museum visit in the future.

SI Mobile for DCWeek 2011


DCWEEK Keynotes Warner Theater Title BoardOver 2000 people crowded Warner Theater this week for the DCWEEK keynotes that capped off Give2Max day, which raised $2 million for local non-profits in 24 hours.

“Washington DC is the best place to start a new business,” said Mayor Vince Gray, as he declared November 2011 the first ever “Technology Month” in Washington DC.

Co-produced by iStrategyLabs and Tech Cocktail, Digital Capital Week, or DCWEEK “is a week-long festival in the US capital focused on bringing together designers, developers, entrepreneurs, and social innovators of all kinds.”

Six presenters spoke at the keynotes Wednesday about the role of technology in mobility and transportation. What does our future digital world look like, and how will we use technology to get us there?

DCWEEK Keynotes Stage DesignGenevieve Bell, Interaction and Experience Research Director at Intel Labs, sees technology and transportation as a social issue. An anthropologist by study, Bell works to bridge the potential of digital functionality with the practical aspects of real-world use. “Design for reality,” Bell says.

The challenge is to create something “so delightful” that we want to use it regularly, in place of what we already have. Bell asked the audience to consider how technology allows us to facilitate multiple lives – for work, school, sports, friends, and more. She suggests that technology provides an outlet for escape, a social safety net (like reminders of names and birthdays) and even helps us keep our secrets.

Krish Prabhu, President & CEO of AT&T Labs, may agree. Prabhu talked about how AT&T is “innovating the future,” and pointed to the company’s 1993 “You Will” ad campaign to show that AT&T may just know a little something about how we’ll use technology 20 years from now.

Prabhu envisions a future of cloud networks developed on open APIs, accessed by applications that will create a new class of ‘smart’ products out of today’s most common stuff. Smart pill boxes will remind you if you’ve taken your daily prescriptions, and smart shoes will track your daily walking habits. Anything that can be designed to tap into an API digital information network is on the table.

Digital information networks will become even more contextual and relevant to our physical surroundings, says Prabhu. Like car navigation that re-routes us around traffic, or shows us nearby restaurant specials. Specific technology hardware will become irrelevant – we won’t need to depend on a specific screen size or device. Rather, hardware technology will be embedded directly into products, and may go largely unnoticed in product design. Prabhu suggests that software applications – how we use technology and implement new types of hardware integration, will become even more critical.

At Ford, Digital Marketing Manager Scott Kelly is helping put some of these ideas into practice. Ford’s recent social media campaigns aim to “break through” and engage us in our own social space. With the Ford Fiesta US launch campaign, Ford revealed the new Fiesta model exclusively on Facebook, supported by live events and online advertising. For the Focus, Ford created a Facebook campaign around the Doug Ford Spokespuppet that’s built a substantial following and helped sell cars.

The latest personalized Ford social campaign is a Mustang Customizer that lets users build their dream Mustang and battle designs with friends on Facebook. As consumers continue to engage in social media, companies will need to adopt marketing strategies that will work well in these new mediums.

If you want to put these ideas into practice yourself, Mike Jones, former Myspace CEO, AOL SVP, and Founder of UserPlane, has a few tips. For start-up entrepreneurs, Jones says the founding team is critical to success. From day one, new companies need to be able to cover business management, product implementation, and customer service. To make it in the long-run, businesses need to know their markets well, and be prepared for ambiguity and instability.

Brian Solis, Principle of Altimeter, says that how we use technology represents our deeper self identity and desires. Solis thinks we’re at the cusp of “digital Darwinism,” where consumerism and daily life is built around shared, collective experiences facilitated by digital technology. The future is mobile, social, and real-time, says Solis. It’s how we use it that matters. Solis challenged the audience to consider the true social value of how we implement new technology. “If what we create doesn’t matter, we’re adding to the noise, not the signal,” says Solis.

Frank Warren, Creator of Post Secret has a good answer to the challenge. Since 2003, Warren has collected anonymous secrets, and shares them with a dedicated network of people online. Over time he’s used the network of support for PostSecret to positively impact mental health and personal crisis prevention.

Warren recently helped launch IMalive.org, an online crisis network that uses social technology for suicide prevention. IMalive is “the first online network with 100% of its volunteers trained in crisis intervention. [The] goal is to use the power of the internet to provide crisis intervention resources 24 hours a day, 7 days a week.”

DCWEEK Stage ProjectionWhen we stop to consider the social value of new technology, Warren’s example brings it all together. What really matters in implementing new technology is that we can all access just what we need, right when we need it. Exactly what that is may be different for each of us. But emerging social technology can help bring us closer to a shared experience that keeps us all moving forward together, one day at a time.

 


DCWEEK 2011 Banner

DCWEEK starts on Friday, presented by iStragegyLabs x TechCocktail -with a packed schedule of cool tech events in DC, November 4 – 11.

A few favorites to keep an eye on include:

Temporary Urbanism at the National Building Museum (Free)

“How can a city activate empty storefronts, abandoned lots or even cultural institutions?”

Search + Social Integrated with Ketchum and Search Mojo (Free)

“Search results are now becoming more personalized to you, and your social media habits have a lot to do with it. Knowing that and learning how to apply to your own online marketing effort is the wave of the future in search and social.”

DCWEEK Fashion Day at the Washington DC Economic Partnership

“Examining the Role of Technology in Design, Art Direction & Creativity: A discussion on technology’s influence on the fashion and art design process, how art direction has seemingly evolved, and technology’s impact/contribution to creativity and expression.”

Social Media + Analytics at Artisphere

“As long as organizations put hard dollars towards social media, attention will be focused on measuring the outcome. The need to better understand the value and application of web analytics data and social media measurement is critical for companies that want to compete online.”

Smithsonian Mobile Open Wednesday at the Capitol Gallery Building (Free)

“Join Smithsonian Institution staff as they show and discuss current and future interactive apps, mobile websites and games, ongoing mobile workshops, and new mobile technologies for visitor engagement.”

DCWEEK Keynotes at Warner Theater (Free)

Mayor Vince Gray, Brian Solis, and Frank Warren join a host of interesting panelists for the DCWEEK edition of the monthly DC Tech Meetup.”

Creative Mobile Marketing at Artisphere

“With mobile devices becoming our first point of contact with the Internet, marketing to reach your audience faces new challenges. Come learn about new and innovative approaches to mobile marketing.”

Solution Oriented Visual Design at Artisphere

The super-minimalist description of this event suggests the workshop may cover the popular deisgn concept of ‘less-is-more’.

Come out and find us at DCWEEK, and check back here for a recap of our favorite events!

 


Art All Night DC cover art by Brooke Kao

Email is still seen as a cornerstone of online marketing. It’s often the primary driver of ticket sales, online views, donations, and engagement across the web. But as we were working to promote the first year of Art All Night: Nuit Blanche DC, we had a unique challenge to work with: no email list.

Up against a tight marketing budget, we decided it’s time to rely exclusively on social media, social PR, and word-of-mouth to drive event participation. And the results were great: an estimated 15,000+ people experienced the first year of Art All Night DC.

Most people in DC haven’t heard of the global Nuit Blanche all-night arts festival, or may only know of it from years past in cities like Paris, Barcelona, and Naples. So, we had to both introduce people to the concept, and get them out to the event.

What worked in spreading the message?

Partners: We worked with a group of over 20 amazing cultural partners, who were invaluable in reaching their networks to help spread the word about Art All Night DC. We created a set of simple guidelines for partners to help us promote the event through their own email and social media. Each partner was able to tap its own established audience, which extended our reach immensely across the DC region.

Social Media: We hit social media hard in the weeks and months leading up to the event. Days before the event, each Facebook post was getting us a 5-10% boost in followers. And, Facebook topped our website traffic referrals list by over 4x our #2 referrer (Washington Post). Combined with all of our partners and artists posting and tagging us in social media, the cumulative effect was tremendous.

Social PR: DC PR agency EPGpr helped get Art All Night DC posted on the most important event calendars, blogs, and news outlets that cover the DC arts. The event was Washington Post Going Out Guide’s weekend editors pick, and was featured on NBC Washington and WAMU.

Artists: Over 50 artists were excited to tell their friends about being involved with Art All Night DC. Our artists wrote about the event on their blogs, Facebook, and Twitter. It’s always exciting to work with people who are as invested in bringing attention to an event as we are.

Combined, our work with the event’s partners, social media, social PR, and artists, paid off. The first year of Art All Night DC surpassed our expected attendance and got rave reviews by everyone who visited. We can’t for what’s next with Art All Night: Nuit Blanche DC!


read more…



Google Think QuarterlyGoogle this week has released the first issue of it’s new full-length online magazine, Think Quarterly. The publication is “a unique communications tool that brings together some of the world’s leading minds to discuss the big issues facing businesses today,” according to the Twitter Bio for @ThinkQuarterly. The magazine’s display functionality and usability are excellent – with deceptively simple same-page navigation on the web site’s homepage, and thoughtful considerations for online-to-off-line media bridging, like an entire index (page 62) of QR codes that link to each article in the issue.

Mashable writes:

The first edition of Think Quarterly, based out of the U.K., is a 68-page dive into the world of data and its impact on business. The first thing most people will notice is that it’s a visually stunning piece of work. It’s a rich Flash app with Google’s quirky sensibilities and the in-depth writing you might find in BusinessWeek or Salon. Google’s quarterly magazine is edited and designed by creative agency The Church of London.

Google’s Managing Director of UK & Ireland Operations, Matt Brittin, says of Think Quarterly:

At Google, we often think that speed is the forgotten ‘killer application’ – the ingredient that can differentiate winners from the rest. We know that the faster we deliver results, the more useful people find our service. But in a world of accelerating change, we all need time to reflect. Think Quarterly is a breathing space in a busy world. It’s a place to take time out and consider what’s happening and why it matters. Our first issue is dedicated to Data – amongst a morass of information, how can you find the magic metrics that will help transform your business? We hope that you find inspiration, insights, and more, in Think Quarterly.

Subsequent issues of Think Quarterly are scheduled for release in May, July, and October.


Creative that cuts through the hype is our favorite. This year’s Superbowl XLV spots speak to what’s happening in our culture right now – modernism, nostalgia, and a touch of true grit.

Volkswagen: Black Beetle


This ad speaks the language of VW’s classic Think Small campaign – named top ad campaign of the 20th century by Advertising Age.

NFL: Super Bowl Celebration


Nothing like a mash-up of your favorite sitcoms from the past 30 years to put you in a good mood.

Coca-Cola: Border


Very cool visual production choices by Coke.

Chrysler: Imported From Detroit


At two full minutes, this Detroit documentary for Chrysler is GM’s rallying call to America – featuring the first in a surprising number of commercial appearances by Eminem.

Bridgestone: Reply All


Because a good reply-all joke really hits the spot these days.

Budweiser: Wild West


What more could you ask for in a drinking experience? This clip crystallizes our love for old westerns – and, yes – Elton John.

Motorola: Empower the People


Up to the punch line, we had this spot pegged as a Mac ad – directly referencing the famous 1984 Apple’s Macintosh commercial we wrote about in our analysis on What Do Superbowl Ads Say?

Chevrolet: Cruze Status


It’s so interesting how mobile and social continue to be integrated into cars and appliances.

Groupon: Whales


In a head-to-head battle for daily-deal social domination, Groupon goes absurd – versus …

Living Social: It’ll Change Your Life


Living Social

Salesforce: Chatter.com Launch: Do Impossible Things


To cap the commercial push for the social web, the launch campaign for a new social co-worker collaboration service – Hulu viewers second-least favorite commercial spot – for Chatter.com from SalesForce reminds us that it’s all just, well – chatter.



Steve Krug - Dont Make Me Think - A Common Sense Approach to Web Usability
One of the biggest challenges in Online Marketing faced by business managers is how to identify and implement the best ways to use the Internet to work towards achieving business goals.

Don’t Make Me Think! A Common Sense Approach to Web Usability is a guide to best practices on the web, that connects the value of simple Website User Testing practices to a successfully designed and executed Website. Written simply enough to be read cover-to-cover on your next plane ride, it covers everything from a functional approach, to the steps you can take to do super-simple Website User Testing yourself, on the cheap.

Since Kira Marchenese at Kira’s Blog: Online Communications for Non Profits first threw this book at us, we’ve used and recommend the read as a great resource to guide clients and companies to success with the Web and Social Media. Get a fresh perspective on how to make your website work for you! There’s a lot you can do yourself, or drop us a note and we can help.


In celebration of Google AdWords’ 10th anniversary, Google challenged its top scientists to design a thank-you to all of its AdWords customers – including eSocialMediaShop. The groundbreaking project saw Adwords successfully execute on the concept to project “eSocialMediaShop” onto the surface of the moon using a Varian 9000 laser projector – “initially developed for indoor presentation.”

Click here to watch the full video clip + “Making Of” video.


We’ve been playing with a neat little combo of free tools recently to give clients a better picture of how search engines characterize websites. The idea started with a nice tip on How to Write for Search Engines without Knowing SEO, by Jason Falls at Social Media Explorer. Beyond a list of keywords, we want to visually show clients how search engines characterize their website – in a way that’s incredible easy to see and understand. Here’s a fun way to do it:

1. Run a keyword analysis of your website with the Google Keyword Tool.
2. Download the results as a CSV file and open the CSV file as a spreadsheet.

3. Copy the words in the keyword column and paste the keywords into a text editor.

4. Scrub the text of all formatting to make it plain text and delete extra words, like “for”.
5. Copy the clean text and paste it into a word cloud generator like Wordle.


Here’s what our website looks like to Google:
eSocialMediaShop top keywords

The word cloud you create will show the strength of keywords that Google associates with your website. Bigger words are more strongly associated, and smaller words have a weaker association. Often, top keywords (like your company name) are so strongly associated with your website, that they appear much larger than the rest of your keywords, so it’s tough to see lower-ranking keywords in the word cloud. Go even deeper by scrubbing the top 3-5 keywords from the keyword list in your text editor. Create a word cloud that excludes your top few keywords to get a better picture of the secondary keywords that Google associates with your website.


Here’s what it looks like for us:
eSocialMediaShop keywords 2010



(Originally published on Huffington Post)

Players from Google’s display advertising team presented seven predictions on the outlook of display advertising for 2015, as part of Google’s “Watch This Space” campaign, to close the program at Advertising Week’s IAB Mixx Conference and Expo.

The expected trends were presented by Google Vice President of Product Management, Neal Mohan, and Google’s Barry Salzman, Managing Director of Media and Platforms for the Americas.

What are Google’s seven predictions for display advertising in 2015?

2010-09-28-sevenpredictions.jpg
1. Video: 50% of display ads will include cost-per-view video. The prediction comes with the launch of two new video ad formats on Google’s YouTube: an “in-slate format” that allows users to choose video ads to view, and an “in-stream format” that auto-selects video ads and allows users to click out of the ad after a few seconds.

Google captures opt-out data from the latter, in-stream format, to better predict what video ads to display for individual users in the future. Rather than bombarding users with more advertising, this style will allow Google to show fewer ads that have more impact and better value for both users and advertisers, says Mohan.


read more…


(Originally published on Huffington Post)

Twitter Chief Operating Officer Dick Costolo hit the stage at the IAB MIXX Conference and Expo this week for an interview with Advertising Age Editor Abbey Klaassen to talk about Twitter’s vision for web advertising and monetization.

Costolo emphasized Twitter’s commitment to prioritizing users and the user experience over a desire to quickly generate cash revenue.

“We’re very careful about how we roll out our monetization products because we put the user first,” says Costolo. He cites the company’s “nearly religious belief” in an engaged user base, and that the revenue will “follow from there.”

2010-09-28-TwitterInterview.jpg
Costolo insists that the day other companies will want to spend millions in advertising on Twitter is just around the corner. “We’re growing at just a ridiculous rate” says Costolo, adding “I can tell you right now there’s a line out the door to advertise with us.”

But for Twitter, Costolo says it’s “less about what we can do to monetize, more about what is going to make it a better experience for Twitter users.”

Twitter’s plan to monetize in advertising centers on its services for promoted tweets, and soon, promoted accounts. Costolo says that promoted accounts will use the same algorithm used for promoted tweets. The features are based partly on Twitter’s recent experience rolling out functionality for suggestions of who to follow, which has increased the average followers per account, Costolo reports.


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AOL Global Advertising and Strategy President Jeff Levick unveiled a new online ad format this week at Interactive Advertising Bureau’s Mixx Conference and Expo, that the company hopes will boost the utility of web content for both readers and advertisers.

The new format, labeled “Project Devil“, may further blur of the line between news, editorial, advertising, and marketing — but Levick proposes that it’s a move beyond today’s typical “interruption model” of advertising, to a more integrated one that adds value for everyone.

Levick thinks AOL’s move is still misunderstood by most in the marketing world. “We’re re-writing the page so that the ad and the content work together,” he says. “It’s a fundamental redesign of the web.”


read more…


2010-09-23-HP4intro.jpg(Originally published on Huffington Post)

Google Mobile Ads’ Senior Account Executive Elliott Nix presented Google’s latest findings in mobile search trends this week at Advertising Week DC’s ADWKDC.

As the world leader in search display and mobile video, Google was eager to share data on mobile search, location-based marketing, and mobile video — which is promising for both businesses and Google services like Maps, Ads, and YouTube.

Google’s latest find is a 500% growth in mobile search from 2008 to 2010. By 2011, smartphone use is projected to surpass that of today’s common feature phone, says Nix. By 2013, Google predicts 50% of all web traffic will be mobile. Nix notes that mobile transactions on PayPal, which is owned by eBay, have increased by 20% in 2010.

2010-09-23-HP5500pct.jpg
Today, Google finds the mobile user demographic is about 53% male to 47% female, and watches an average of three and a half hours of mobile video a week. They predict that the web browser will trump mobile apps as the common mobile access point to the Internet.

“You can develop for mobile now… or later, and play catch-up,” says Nix.


read more…


2010-09-22-ADWKDC.jpg Mavens of messaging, marketing, and media are gathered at ADWKDC this week, as Washington D.C.’s Advertising Week kicks off downtown at The National Geographic Society.

The ADWKDC schedule features events like the domestic premiere of the winners of the 2010 Cannes Lions International Advertising Festival, and panels like “Crowdfluencing”: Turning Digital/Social Conversations into Actionable Insights.

Moderated by Jonathan Kopp, Partner/Global Director at Ketchum Digital, “Crowdfluencing” panelists included: Melyssa Plunkett-Gomez, VP of Business Development at Crimson Hexagon; Mike Spataro, Senior VP of Client Strategy & Channel Partners at Visible Technologies; and Lauren Vargas, Senior Community Relations Manager at Radian 6.

So, what’s the inside scoop on social media monitoring, measurement, and analysis?

Start Smart.

Too often, companies put too little thought into social media before starting a conversation monitoring program, says Mike Spataro of Visible Technologies. More prep work up front, he says, will yield better results in the end.

“Find out what tool works best for you … how does social media fit into your overall business goals?” says Lauren Vargas of Radian 6. She adds “there’s only one equation for ROI … the question really is: What do you want to do, what do you want to get?”

Setting clear goals for social media that are tied directly to a company’s business goals are a smart start to engaging in the social media conversation.

Follow a strategy.

In the spirit of a good plan: choose wisely. “It’s really going to be different for every group,” says Vargas. The specific work outlined in a social media strategy should be tied directly to both social media and business goals.

Vargas suggests that to start, companies may want to pick only one or two outlets to monitor and analyze. For example, what’s happening in the conversation about your business only on Facebook, or Twitter? If you have the capacity to monitor both, how are the two conversations different?

2010-09-22-ADWKDCpanel.jpg
“It’s about how you’re integrating across your organization,” says Vargas. For example, Radian 6 connects with the SalesForce CRM to integrate social media and customer service.

A carefully crafted social media strategy that considers business goals and marketing needs across the entire organization is a starting point to social media success.

Watch New Trends.

One of the biggest gaps today in requests by clients and media agencies for new social media services centers on new questions about engagement. Should agencies be responding in social media outlets on behalf of brands and clients? “That issue is really sticky right now,” says Vargas.

New requests for open APIs – digital tools used to monitor and aggregate content like customer call data and email – is one the biggest trends seen today by Melyssa Plunkett-Gomez at Crimson Hexigon. She predicts the next hot topic in digital will be “real-time market research.”

Similarly, Vargas predicts the next new trend will be “insights across integrations” – matching social media data with metrics collected in other areas of organizational management, to achieve a deeper analysis of marketing data.

Ultimately, the future of social media monitoring may be “predictive analysis.” At least, that’s what Spataro … predicts. Of course, we’ll need to see the data, first.

Follow the ADWKDC conversation on Twitter @ADWKDC or search #ADWKDC.


September 7, 2010 – Google’s animated dots Homepage feature.

Google Homepage: Animated Dots – 9/7/2010

CNN.com writes:

“It was unclear Tuesday morning exactly what, if anything, the animated doodle represents. … The leading theory Tuesday morning was that the swirling dots are intended to celebrate the company’s anniversary. Google was founded in September 1998. It filed for incorporation on September 4, but the first check written to “Google Inc.” came on September 7.”

Read the full story on CNN.com, click: http://bit.ly/aVNW2f


Washington Peace Center recently invited eSocialMediaShop to run a media training at their DC headquarters – Organizing 2.0: Using the Internet Effectively for Your Social Cause. For those who participated, or are interested in the presentation – here’s what we covered:

  1. The Social Media Game. Developed by Beth Kanter and David Wilcox, the game is an adaptable, interactive tool for teaching and understanding effective social media strategy. Many thanks to Kira Marchenese and the Online Communications Team at Environmental Defense Fund for adding their Creative Commons licensed materials that we adapted for the workshop to The Social Media Game Project Wiki.
  2. Social Media Marketing at Artomatic (below). This Social Media Marketing case study shows the value of Social Media to Artomatic – set in the context of traditional media efforts and event attendance.
  3. Twitter @ Artomatic (below). How we use + track our peep’s tweets at #DC’s Best Festival.

Want to play The Social Media Game at your office with eSocialMediaShop? Send us a shout!


The best part about working in social media is getting to be the guy in the red car from this presentation about social media’s financial value. Showing new media’s tangible impact on cost reduction and revenue generation is a key to marketing success in the new media space. Olivier Blanchard breaks it down brilliantly in this presentation on the basics of Social Media R.O.I.


All too often, video ads miss the reach in online viewership they really deserve. A company will spend significant time and money developing a great video campaign, buy a few broadcast spots, and relegate the clip to the internet as an afterthought – missing the potential reach in viewership the ad actually deserves. We couldn’t enjoy this new commercial more – for CTIA by west-coast agency Rock Paper Siscors.

To find the video online, you have to know exactly where to look for it. We found it by frantically searching for the clip online before we forgot what it was about, luckily remembered the CTIA acronym and theme song “Let Freedom Ring” and found a reference to the project on Production Manager Jonathan Helm’s personal website – Google indexed on his resume -having nothing to do with the ad campaign itself. emblematic of social media success – the easiest practical way for us to find the video was through a personal reference in no relationship to the huge ad campaign CTIA probably envisioned for this video, which now has just over 250 YouTube hits.

Despite being one of their best, most clear and concise content features, the video is buried on CTIA’s YouTube channel and ambiguously nested as “Ad Campaign” on CTIA’s Homepage website navigation with a text link to watch the video on their own video player. The ad is not listed on CTIA’s blog. On all of their dominant video distribution networks – Website, YouTube, and Blog – CTIA is very unfortunately missing out on the likely viewership potential of this cool new ad. How to do it right Web usability Dont Make Me think Make it easy to find Make it easy to share Promote it from a single outlet that is easy to find and share. add a play button on the video. text instructions aren’t the best instructions for illiciting user action on video plays. provide more information.


Thanks to the Jess3 Blog for a tip to the new UrbanOutfitters.com “Most Liked” feature. More than a typical Facebook Page, it’s a social media strategy that’s carefully crafted retail and business. You can’t miss it, and before you know it, you’re a Fan in two clicks. Fresh on the Facebook page is “Just a reminder: Last day to get $39 jeans! In stores & online.”Whew – we forgot – so we may need to get two pairs!

With all the hype on how to use Facebook for buisness, Urban Outfitter’s new Facebook strategy offers a few solid guidelines. Make it clear, easy, and useful. Plan the web navigation with precision, and design it to influence use. A well executed plan can do a great deal to spark new interest, encourage engagement, and net sales.

 

 



Creating great video is cheaper and easier than ever – and a cool clip can get you great views on the web. We do loads of video projects – like promo videos, filming events, and interviews - to help people get the most they can out of their work. Sharable, online videos create a chronicle of engaging stories about what you do.

Producing video is really interesting because polished videos often least reflect the time and effort that was put into producing them – and it’s a huge influence on people’s expectations about creating their own video.

Now, we can watch “Making Of” videos for our favorite commercials – and they’re often more interesting than the actual commercial! Our 5 favorite online video ads at eSocialMediaShop, paired with their “Making of” clips, are:

Honda – Cog

Making of Honda Cog

 

Toshiba – Time Sculpture

Making of Toshiba Time Sculpture

 

Sony Bravia – Bouncy Balls

Making of Sony Bravia Bouncy Balls

 

Toshiba Space Chair

Making of Toshiba Space Chair

Sony Bravia Paint ad

Making of Sony Bravia Paint Ad

 

Google Chrome Features

Making of Google Chrome Features


Serious industry conversation about adding social media to traditional marketing strategies is just beginning, relatively speaking – and the only constant is change. Successful marketers will see online social media as an extension – not a new model – of their existing work: providing the right information to the right people in the most useful way possible.

Here, we look at the added value of social media to traditional communications in marketing, PR and advertising; the transition from traditional to social media by example of television’s impact on radio; potential applications of social media to sales for book publishers; personal vs. professional use of social media; and additional resources.

Added Value Social media is a mix of concept and content. The concept is new – that product users have an equally, if not more valuable stake in the brand conversation than marketers. The conversation is truly two way and participatory – and must be in order for social media to work. Content drives the concept. Together, marketers and users participate in an inclusive conversation about a product’s value through text, image and video. Marketers may guide the conversation by producing content – and developing quality user generated content is every marketers dream right now.

Two good examples of larger user-generated content efforts are the Obama campaign’s Signs of Hope and Change video, and the upcoming Mofilm User Generated AD Contest for the Cannes Liones 2009 International Advertising Festival. An interesting aspect of the Obama clip is that the campaign was concerned about collecting too much user generated content – and segmented their email list to ask for content only from people who described themselves as professional photographers – according to Chris Royalty, former Obama 2008 Deputy Director of Online Video, in a recent Center for American Progress Internet Advocacy Roundtable panel on using online video for advocacy (video).

Social media offers unprecedented access to anyone who wants to market anything – but it is not magic. It is work, time, effort, focus, and strategy. Creating a Facebook Page or YouTube video is not a social media strategy. Rather, audience identification, messaging, metrics, analysis and strategy revision are essential. Flexibility and creativity are key. Seize the moment in the right way or it will pass. Social media is seen by many media professionals as risky because it seemingly concedes a degree of message control – despite research in psychology that indicates allowing open criticism of an idea strengthens the idea’s authenticity.

Social media is necessarily reflective of an organization and its culture. If a brand is willing to experiment, it will experiment with social media. If an organization is timid about promoting its mission or message – even if it believes very strongly in it – that will be reflected in its use of social media. When brands have difficulty or are unwilling to adapt, a result is the current status of the print industry: in general, it views itself as a business of providing paper with information printed on it, and not on being paid to provide the information itself.

To be successful with social media, brands must be confident enough in their mission, message, and value proposition to put it out on the web for comment, stand by their product, and respond fairly to compliment and criticism in a legitimate, inclusive conversation.

TV Everywhere Social media will transform the current media landscape like television transformed radio. Back in the day, TV generated industry hysteria that radio was over – but it wasn’t, it changed. Likewise, social media is changing the fate of print media as it creates industry hysteria that the newspaper is nearly cashed-out. It is not, but its form will change. Social media will evolve as well – and it may not always be free to the degree it is now. Using social media to market television is an interesting example that transitions through its past, present, and likely future.

Salon.com’s Live, Nude, Puppies – The Year in Viral Video notes that “[a]mong other things, 2008 will be remembered as the year that professionally produced Web video finally trumped amateurs with webcams.” Hulu (Fox) now offers a large body of cable television programming for free online – but television execs are working hard to monetize traditionally paid-for programming on the web. Time Warner has been standing back during the shuffle to develop a system that allows users to access TV Everywhere – As Long As You Pay For It.

Selling of the President 1968

The Selling of the President 1968

An interesting case-study that links the transition of media’s mediums is the contrast between the 1968 and 2008 presidential campaigns. The Selling of The President: 1968 argues that Richard Nixon won the presidency because he was the first political candidate to figure out how to use television effectively in a campaign. Can you imagine what the response to Watergate would have been had Huffington Post existed? Likewise, the famous example of the Nixon-Kennedy radio v. television debate further illustrates the point: radio listeners thought Nixon won and television viewers thought Kennedy won, because Kennedy looked better on TV. Kennedy played better to television – the newest dominant media. And, Kennedy won the election.

The same is true of the Obama 2008 campaign: they are the first presidential campaign in history to figure out, in the moment, the most effective use of social media in a political campaign. They hired Facebook creators to build their online organizing strategy, used social media the way it’s meant to be used, and won. Hillary Clinton’s Internet Director was quoted in the New York Times saying “[Obama for America's] use of social networks will guide the way for future campaigns.” Obama’s campaign was flexible with their use of social media and fearless with their message.

The combination of strategy and social media’s accessibility allowed them to thrive online. The campaign generated an extremely large amount of video – 60 terabytes, over 1500 clips – with pro-sumer (lower-cost) video equipment and uploaded it to YouTube with laptops from airport runways between campaign stops. With equipment that’s accessible to nearly anyone who’s seriously interested in producing video, the Obama campaign won a presidential election.

The winning factors were strategy, capacity, process and production knowledge – not just money. Social media will likely always be more accessible and less expensive than traditional media – but it may not remain free forever. High-profile social sites like YouTube and Twitter are struggling to develop a profit model to match their web-traffic – and online advertising seems to be only a temporary solution.

Since social media can be offered on a greater scale at a much lower production cost, consumers will likely be more willing to pay a smaller amount in the future for the same media products they paid much more for in the past – if providers can no longer offer them for free. Social media is to traditional print and visual media what television was to radio: it will transform the industry, not wipe it out.

Text Book Publicity Using social media to publicize books can be an example of applying these new media tools to sales. Despite trends in online video, some argue that text remains king of the web. For one, some books are now available as a digital download – and novels distributed to cell phones as text messages are a huge trend in Japan. Amazon.com and other print distributors will likely continue to develop and embrace the mobile trend. There are endless ways to use websites, blogs, Facebook, YouTube, and other social media to promote new book titles. The key will be the same as with any other use of social media: hitting the right people with the right message in the right way.

AddThis

AddThis makes sharing easy - and trackable for marketers.

Book websites must make it incredibly easy for users to buy a book, share content with friends, comment and criticize – and be a part of the book’s conversation. Most authors have probably craved this for years. What they need now is a blog.

Many authors have one – check out Internet Writing Journal. Authors should be using social media to talk with their readers and expand a rich, robust conversation. Facebook, YouTube, Twitter – the whole social media scene – can be used to generate attention for a book if the audience is targeted, the message is right, and the content is valuable to the user.

With all of the focus grouping and market research publishers already employ, their transition to social media should be easy – if they’re web savvy. Publicity for driving book sales with social media can be broken down the same way as in traditional communications: earned and paid media. Some books and authors may be able to generate earned viral content on blogs, Twitter, or Facebook, for example.

Getting blog mentions can involve pitching strategies similar to print pitching – and Facebook pages and groups can be used to promote book titles, like the current Facebook presence of Post Secret. Amazon.com could easily create a platform for customers to email the title of a book they’ve just purchased to friends who may also be interested. Email is the cornerstone of social media. Paid social media can also be used to compliment – and generate – earned viral media.

Facebook Ads and Google Ads, for example, are extremely accessible for anyone to develop an ad campaign on a flexible budget and require only basic web knowledge – unlike in traditional closed-medium advertising. While books are not the product focus in the following two examples, they illustrate successful paid social media efforts that could be replicated in some form by publishers to drive book sales.

The new skittles website was certainly a paid web development effort – but the platform relies completely on earned social media. Likewise, Burger King’s recent Whopper Sacrifice Facebook application was likely a costly social media effort, relatively speaking (still cheaper than most corporate paid advertising efforts), but generated great publicity for the brand. Before ending the campaign after only a few days – essentially because it worked too well – Burger King gave away over 23,000 burgers and, by virtue of Facebook application logistics, captured the information in over 23,000 users entire friend lists, and of over 230,000 former Facebook friends. That’s detailed demographic information for possibly millions of people, captured with a Facebook application that can be developed for free. With relatively low-cost paid social media efforts, Skittles and Burger King achieved excellent brand visibility – and book publishers can do the same with some creativity and the right strategy.

PitchEngine: PR for the social web.

PitchEngine: PR for the social web.

A last example of how publishers can promote book titles with social media illustrates an interesting overlap between new and traditional media: the social media release. Social media releases are simply traditional press releases purposed for the social web – and they offer much more content and context to reporters and users alike. They are sharable, trackable, and a natural extension of traditional PR to social media. By flexibly integrating social media into traditional marketing efforts, publishers can create visibility and generate book sales with comparatively low-cost paid social media efforts.

Personal v. Professional Using social media, anyone who wants to get into communications in marketing, PR, or advertising can. It illustrates the fundamental concept of the Information Age – that knowledge is powerful and information, we can hope, becomes more powerful than money. Efficacy is a matter of understanding how to use social media effectively, which can involve applying it professionally to personal life. Demonstrating professional proficiency with social media can be done by using it personally.

It is not difficult to set up a blog account on Huffington Post – just email the editors and ask. (You do have to show that you can write coherently). In my case, I emailed a Huffington Post editor at 7:30am one morning and had my first blog post up by 2pm the same day. Creating your own video or blog can be professionally helpful – and platforms like WordPress make it easy to set up a blog or an entire website – and now offer simple, low-cost ($15/yr.) paid hosting for a URL without the “.wordpress.com” suffix.

Whatever combination of social media you want to use – a blog, LinkedIn, FaceBook, Twitter – to promote your work, it can reflect you professionally like a brand’s use of social media reflects the brand. So untag the Facebook pictures of yourself that you don’t want other people to see and don’t tweet yourself out of a job.

If you think social media is valuable and use it seriously, it will be valuable to you. It doesn’t have to be – it can be casual or not used at all – but it is reflective and that is important if you are a communications professional.

Resources In short – effective use of social media is like one famous take on effective use of anger: “Anybody can become angry – that is easy. But to be angry with the right person, to the right degree, at the right time, for the right purpose, and in the right way – that is not easy.” For videos and reading that can offer more information, examples of current approaches, and strategies for using social media:

Watch:
Toshiba Time Sculpture AD

Yes We Can Viral Video Chart
Guide to Online Video
Using Video Effectively

Read:
Blink – The Power of Thinking Without Thinking
, by Malcom Gladwell
How We Decide
, by Jonah Lehrer
New Rules of Marketing and PR, by David Meerman Scott
Me 2.0, by Dan Shawbel

Visit:
www.Mashable.com

www.Morningside-analytics.com

www.AdAge.com

www.MediaBistro.com

www.ProgressiveExchange.org www.IAmProgress.org

Feel free to contact: Eric Shutt l eric.shutt@gmail.com l Website l Blog l LinkedIn l Facebook

 


(Originally Published on Huffington Post)

Super Bowl commercials say everything about American culture. Ads tell us a ton about what’s up, right now.

This year we had a chance to watch, comment on, and share Super Bowl ads more than ever before. Every 2010 Super Bowl commercial is online, on demand at NFL Fan House, Hulu Ad Zone and the appropriately titled YouTube Ad Blitz.

The aftermath is amazing. It’s entertaining to watch marketers clamor to claim the #1 spot. For days after Super Bowl XLIV, the top video on Unruly Media’s Viral Video Chart was Google’s Parisian Love. The #1 video on NFL Fan House was Doritos: Dog Gets Revenge. Monday the #1 video on NFL Fan House was E-Trade Baby’s Jealous Girlfriend. On the same list today E-Trade is no where to be found.

Who’s The Best?

By many accounts this year’s unlikely (since they rarely advertise at all) #1 Super Bowl commercial was Google’s Parisian Love, which AdAge discredits. AdAge makes a good point that different audiences respond differently to different media, and that the Super Bowl crowd is not obsessed with the Internet – so online buzz may not be a real measure of effectiveness here.

AdAge may also miss the point that people are just paying more attention to the internet now.

Sure, the Google spot got great buzz, is ranked #1 by the go-to industry standards, and it drew tons of press and media coverage. But AdAge still asks, Just How Popular Was Google’s Super Bowl Ad, Anyway? Maybe the ad was meant to woo its watchers, a crowd on the cusp of greater interest – and seed the idea of Google’s incredible usability in the minds of football fans across the country.

Fox Sports did a Top 10. They even did a Worst 10. Of course, they did. One Fox Sports reader wrote back: “I’m tired of having to choose from a list… I want to vote for who I want.. It’s a unfair vote..”

Iconic American Culture

Super Bowl commercials are iconic American culture. Some 2010 favorites at eSocialMediaShop, for their cultural cache are ads for Coke and FloTV:

Last week Creativity Online named the Top 20 Super Bowl Ads Ever. Historic Super Bowl commercials remind us of iconic moments immortalized by our favorite brands: Coke’s 1979 “Mean” Joe Green locker room confrontation, Apple’s 1984 introduction of Macintosh, and of course our friends Bud, Weis, and Er.

Again, Coke offerred a utopian moment of healing built around a “pause that refreshes.” Drinking a Coke now provided a magical salve that symbolically healed the racial divide in American society.

“The confrontation in the dark tunnel conjured up the growing nightmare of the ghetto in the collective imagination of the majority white population: the physically intimidating black man who threatened an innocent white child. But we soon learned Greene’s meanness was just an affection, that he was actually a sweet guy who could show real affection for the small white kid. The ad offerred a story of racial healing for a country that couldn’t contain it’s racial conflict. In this way, Coke again helped the nation momentarily forget its real problems that were then devistating its cities” (Holt. How Brands Become Icons, p.25-26).

The 2010 Message

What’s the Super Bowl message this year?

1) There’s a recession. 2) We want to be distracted from it. 3) The internet is helping.

Several Super Bowl commercial themes continue to carry the message that we may actually prefer to be distracted from larger, more important social issues. Coke will help us weather the recession. Bud Light is poised to help us survive airplane crashes and global warming.

Even the difference between #1 spots on NFL Fan House vs. the Internet overall is telling: maybe we really prefer slap-stick distractions for Doritos to the suggested ease and implication of planning our entire lives on Google.

Thanks to social media, we can rate and evaluate Super Bowl ads in more ways now than ever. The stats and analysis will reveal about American culture what was once left more to speculation and Big Media Top 10 lists. The commercial message of Super Bowl XLIV says there’s a change on the way in how we watch our ads.

We’re tired of having to choose from a list. We like what we like, and we want a fair vote.


(Originally published on Huffington Post)

Graffiti draws a remarkable counterpart to marketing and advertising. Memorable street campaigns take the same creativity, consistency, branding and visibility needed to make marketing work.

DC Graffiti

Street artists are marketers gone rogue (also a popular theme of the year) – developing and executing creative concepts, many with a specific and often populist tone. Like it or not, the closer you look, the more of a message there is to see in the details of graffiti.

Four Mile Run Bridge 2

Practice Wall 4

Four Mile Run Bridge

Practice Wall 2

Practice Wall 3

DC represented big in 2009, and themes in our graffiti and street art reflected important, meaningful local issues: problems of homelessness, DC’s non-state status, and few (but expanding) outlets for public art. Check out a full photo set of the year in DC graffiti on Flickr.


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(Originally published on Huffington Post)

Motion Graphics Festival 2009Motion Graphics Festival (MGFest) has been touring the U.S. for nearly 5 years, but you may not have heard of it until now.

2009-11-25-PSVideo.jpgRecent Co-author of Video Made on A Mac and Photoshop for Video, Harrington boats a seemingly endless amount of practical creative knowledge in Photoshop – most of it available in handy PodCast format on his forum at CreativeCow.net, and on his Photoshop for Video Blog.

Sunday’s MGFest included a digital painting workshop by Shantell Martin – an internationally touring visual performance artist with an “inside look at the technology and aesthetics of live painting software,” whose work appeared later that night in the annual submissions screening.

Sunday night’s MGFest official 2009 event screening, sponsored by STASH, a DVD magazine, saw a reel of best work from 2008 and the 2009 selected submissions screening of new creative digital animation, including work by Shepard Fairey in N.A.S.A.’s “Money” video.

For the conference organizers, MGFest is about expanding opportunities for artists and creative professionals. “There are lots of events already in New York and L.A., ” said conference co-organizer Jameson Wallace. “Instead of flying everyone to one place, we try to go where the talent is.”


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(Originally Published on Huffington Post)

Under the thematic banner of “Fueling Interactive Advertising’s Creative Revolution,” the Interactive Advertising Bureau (IAB) convened top talent for NYC’s Advertising Week “to articulate their visions for unleashing the full power of digital media.”

If it comes as no surprise to industry insiders, presenters at IAB’s MIXX Expo confirmed that the vision of advertising’s future is now squarely focused on social media.

2009-09-26-PGimage500px.jpg” A rolling 3 month window of a specific website’s use statistics gives an accurate view of overall trends in user behavior. The method uses real, up-to-date info unique to a specific website. The data matches actual user behavior, not how users might act.

AOL CEO Tim Armstrong sums it up with a five-point bet he’s willing to wager the company on.

1. The recession has created large white space for advertising on the web.

2. Users are allowing distribution to become more targeted. Sites like Facebook and Hulu allow users to choose, rate, and even reject on-screen advertising.
3. Content always trails distribution. Creating good outlets for distribution will attract quality content to follow.
4. Future content brands start now.
5. Content management systems are the new ad systems.

2009-09-26-TimArmstrongMixx500px.jpg


(Originally published on Huffington Post)

Ashton Kutcher closed Advertising Week’s IAB MIXX Expo in NYC yesterday with a new look at some of his work you may not know — a social media agency called Katalyst Media.

2009-09-23-AshtonKutcherMIXX500px.jpgKutcher made waves on the internets this past April when he beat CNN to a million Twitter followers. Some saw it as a self-centered promotional stunt, and AdAge criticized it as an old broadcasting model of one-talking-to-many in a new, interactive media environment.

But to Kutcher, the Twitter feat — and Katalyst Media — were about today’s central question in the world of media: who controls media’s future?


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2009-06-03-jumpart.jpgMedia Bistro Circus kicked off this week at New York City’s Times Center – social media moguls in tow.

Event organizers drew an elite force of digital marketing experts to project “how customer behavior is evolving around technology, [and] explore emerging trends and business models that will shape marketing, PR & advertising in years to come.”

“It’s a story about authenticity,” says Jaeger. “The media value is
in creating an engaging experience people want to share.”

The museum’s marketing campaign attracted attention and attendance from a desirable demographic of younger art-goers
that may have skipped the experience otherwise.

For Valeria Maltoni of ConversationAgent.com, the keys to a successful online social media strategy are personal relationships and meaningful conversations.

Follow her on Twitter and you wont get her own personal updates. Instead, Maltoni shares content she thinks will make her micro media outlet an online destination. With over 8,000 Twitter followers, it seems to be working.

She suggests the online places many marketers want to hold brand conversations may not be the digital spaces in which consumers will listen. She recalls a friend’s comment, “don’t pitch me on Facebook, it’s my haven of sanity.”


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Artomatic 2009 Poster(Originally published on Huffington Post)

Hypothesis: confirmed. Artomatic’s 2009 showcase showdown is ready to rock it in style.

Days after City Paper’s 2009 BESTof readers choice issue named Artomatic DC’s next best arts festival, registration response to this year’s event has been incredible.

Over 900 artists + 100 performances are set to exhibit when Artomatic hits Half Street’s 55 M St. SE – above the Navy Yard Metro station in DC’s Capitol Riverfront – from May 29 – July 5.

Artists, bands + filmmakers can register to exhibit at www.artomatic.org.


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(Originally published on Huffington Post)

Presidential politics coursework taught me that right now it’s all about identity politics. Has been for a while — reaching voters with an image that best reflects and represents our self-concept. There’s more to it than that, obviously. But not much.

People vote based on personal identity, not on self-interest. People even vote directly against very practical aspects of self-interest on issues like economics and authority.

George W. was able to win the presidency — twice — when our middle class rural white community bought into the Bush Doctrine despite his offering little or no financial advantage — and the disadvantage of losing some ability to control our own lives by institutionalizing the view of a Unitary Executive, with power more concentrated than ever before in our history.

What was gained was only a perceived advantage of economic and social control, by electing a personal icon some thought better represented those goals, and a president we all really wanted to grab a beer with.

The first presidential candidate to figure out how to use television in a political campaign won the election. It was Richard Nixon, in 1968. Before blogs, we could read about this stuff in books — unless sufficient side commentary was available on television, of course. The Selling of the President 1968 hasn’t hit the big screen yet — but it should. No worries, chances are we’ll be able to Netflix it soon enough.

If you’re like me and you don’t read books, then you definitely dig the prime social networking, creative art, and viral video series that punctuated the 2008 campaign media scene.

Social media doesn’t change identity politics — the consequences of which, as we’ve seen, can be bad. But they can also be good — and social media can open new access and add extra transparency to the political process. It can reflect our identity in a more genuine, less manufactured way.

Internet. It’s the new television. DIY style.


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